........................................................................................Film
Review
Kasoor
Kasoor,
a film from the Bhatt family, is a murder mystery.
A stylish suspense film that hits the right note.
A rich and famous newspaper editor's wife is murdered and the police
frames the husband for the murder. The role of the editor is played
by Aftab Shivdasani, the Mast boy, who proves after
a long break that he is here to stay.
To fight his case, insted of hiring top criminal lawyers in the
country, Shekhar Saxena, the editor, prefers to a lady lawyer
to fight his weak case. Kasoor introduces the Canadian model
Lisa Ray who plays Simran Bhargav, the lawyer who defends
Shekhar Saxena. She looks stunningly beautiful, but an actress she
is not. With flat dialogue delivery and wooden expressions, all
Ray manages to do, is take her clothes off.
The police inspector, Lokhande, who framed the editor, and
the lawyer in the past, is played by Ashutosh Rana, who did
full justice to the thrilling script. The mystery of the story deepens
as the lawyers receives anonymous letters, reading that the convicted
editor is innocent. On the process of defending Shekhar's case,
the lady lawyer fails to defend her heart. Both of them finds themselves
madly in love with each other. Of the supporting cast, Apoorva
Aghinotri has a blink-and-you-miss-me role, which is sad because
he showed plenty of potential in Subhash Ghai´s Pardes. He
is the man who is envy of Shekhar, as he can sense that he is loosing
his lady love to Shekhar.
After
a long court room drama, finally she wins the case. This is where
the whole story begins. The film moves at a slow pace in the first
half, but gains a lot of momentum in the latter part. The first
half of the movie generally revolves around the tree, both of them
dreaming and singing. Vikram Bhatt has succeded in capturing
the audiences' attention with his twist in the story. The twist
is for you to find out.
Excellent music scored by Nadeem Shravan is definitely a
plus point for the film, with "Kitni Bechain" and
"Mohobbat Ho Na Jaaye" being the numbers that stand
out. The cinematography by another Bhatt family member,
Pravin Bhatt is also fantastic, capturing some gorgeous locales.
Technically, the film is well-made.
By: Sharmistha Chakraborty
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