.......................................................................................Personalities
Satyajit Ray framed!
Nemai Ghosh documents icon's life
Sixty
plus, Nemai Ghosh displays years of hard work, talent and discipline
in his photography exhibition 'Faces in time-and Out of time' at
the Piramal Gallery, NCPA, Mumbai. A must for admirers of doyen
film maker Satyajit Ray as well as photo enthusiasts.
Veteran photographer Nemai
Ghosh
entered photography via the theatre. Now in his late sixties, Ghosh
has captured with his third eye the life and moments of Satyajit
Ray at work, the evolution of the Bengal Group Theatre, the
land and people of Kutch and the street children of Calcutta. These
photographs are showing at the Piramal Gallery, National Centre
for Performing Arts (NCPA) and will be on till November 25, 2000
in an exhibition 'Faces in time-and Out of time.' All the
images were taken on black and white Kodak film using Canon and
Nikon cameras and printed on Ilford paper.
The
exhibition reveals Ghosh's keen eye for capturing moments in time,
his passion for theatre and his ability to capture reality. Subtly
caught by the camera are photographs of Satyajit Ray in a relaxed
moment during the shooting of Distant Thunder,1973; Unraveling
the Cosmos (1980); Timir Baran - the sarod maestro in old age (December
1985), The accusing finger: street children (February 1995); He
plays with his head (Pele the footballer - 1977); and Man and wife,
kindred souls (1994), among many others. A dark background with
dramatic lighting dominates most of his photographs of the performing
theatre. His best works can be attributed to Satyajit Ray, who he
has captured at work, in relaxed moods, in anger, directing, brooding
and while in his study.
Mumbaibest.com meets the man, the photographer
"I
attribute my discipline to actor and theatre personality, Utpal
Dutt, when I trained under him in his Little Theatre Group. My ability
to catch the exact mood, the precise moment, the particular posture,
the body-movement, and facial expression, are all rooted back to
my theatre training," says Nimai Ghosh. Published several times,
his photo-biography on Satyajit Ray 'Satyajit Ray at 70,' a 96-page
paperback, captures Ray in words and picture frames. Also to his
credit are over one lakh photographs of Satyajit Ray including working
stills from his films since Goopy Gyne Bagha Byne. Ghosh's
ultimate aspiration is to be able to photograph completely in the
dark, totally without light.
Ghosh had an enviable record of photographing every Ray film from
1969 onwards. World renowned photographer Henri Cartier-Bresson
in his foreword to 'Satyajit Ray at 70' has written: "Through
his visual gift, Nemai Ghosh allows us to be intimate with film-making,
and to feel with great fidelity, the drive, the alertness and the
profundity of this giant of cinema in all his majestic stature."
Nemai Ghosh has had several solo exhibitions dedicated to Satyajit
Ray to his credit, including those at Cannes International Film
Festival in 1991, London International Film Festival (November 1992),
at le Mans in France and Brussels in Belguim.
The exhibition 'Faces in time-and Out of time' will be on till
November 25, and is a must for admirers of Satyajit Ray and photo
enthusiasts who can benefit from his subtle light techniques and
camera angles.
Address: CPA's Piramal Gallery, Experimental Theatre
Building, NCPA, Nariman Point, Mumbai - 400 021, Timing:
10.30 am to 6.30 pm. Closed on Sundays, Mondays and public holidays.
By : Anupama Vinayak
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