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Frankly, my best album so far has been Ah-Ha for which I
composed, wrote the song, and was involved in all stages of the
creative process. When I did Zindagi, except for the title track,
which luckily happened the way it happened, where I was involved
in the production and the lyrics, the rest of the album was not
to my taste, not my style at all.
I
like to sing ballads, and songs with lot of emotion. But actually
I like to do mushy romantic numbers. I started singing essentially
in English, because I was part of the south Mumbai crowd that thought
English was hip! Now in the present generation Hindi is very hip!
I grew up, like a proper south Indian girl, on M L Vasanthakumari
and M S Subbalaxmi, Mandolin Srinivas, and Kacheris at Shanmukananda
Hall. I used to wear Patta Pavade (a full length traditional skirt
with a waist-length half sleeved tight blouse).
Luckily for me, I met Shekar, who heard me sing a couple of times
and convinced me that I could go on to become a great singer if
only I applied myself and worked really hard. So I worked really
hard! I trained myself in Hindustani classical music and when I
thought I was ready I approached the owner of a leading music company
in India. I was offered a contract within ten minutes of meeting
him, and that's how Dole Dole happened. Doing Dole Dole was one
of the best experiences of my career - it was made with love
and care and the results were there for all to see. It went on to
become a huge hit and my music career was launched. I then followed
this up with my next album Dum Tara, which was equally very well
received.
The 'Dole Dole' album was recorded entirely in Toronto. The lyrics
were simple, the video was young, peppy and very me. Luckily, 'Dole
Dole' was very successful and so my music took off with a bang!
I shudder to think of how things would have been had this album
not been successful!
I wrote 'Jabse Dekha' for Shekar. It was my way
of telling him and the world what he meant to me! While 'Dum Tara'
was spunky, young, with loads of attitude, 'Jabse Dekha' was soft
and romantic. The video is truly the story of how we met, how we
dated. Even the clothes matched our real life courtship.
Then
I started thinking seriously about composing music. I started carrying
a little tape recorder with me to record my tunes wherever I was,
in a car or a friend's house. Then, armed with a tape full of tunes
and a heart filled with hope I went to my producer. Much to my disappointment,
all my tunes except one were rejected, and that tune was A-ha.
It was a great experience working with Raju Singh on A-ha, which
was released on my birthday, 27th November, 1997. The black and
white video was a smash. Ken Ghosh (who has directed all my videos
so far) had surpassed himself. It was the first time I had not called
him up to complain that everything was wrong!
I will be singing when I am 50 also, and hopefully people
should want to listen to me then.
On Acting - I wanted to be a Star! I was in the 11th
standard, all of 15, and excited as hell about being chosen to play
the lead role in Chunauti, a television serial about college
kids. I started being called Vandana (the name of the character
I played), everywhere I went. I can never forget signing my first
autograph. I was in a BEST bus going to college when this girl sitting
opposite me hesitantly asked me if I was Vandana and if I was could
I please give her an autograph. My heart thumping with excitement,
I literally snatched the autograph book from her hand and signed
it!
By the time I was out of college I was getting offers to act in
films and was giving it serious consideration. But that was the
last straw for people at home! Modelling was still respectable but
the movies? Absolutely not! I was given an ultimatum - I could either
stay at home like a good respectable South Indian girl (doing whatever
was asked of me) or go and join the movies! So I chose to leave
home and live as a paying guest.
This is also the time Kabhi Haan Kabhi Naan happened! I also continued
to sing jingles and act in musical plays during this time. Kabhi
Haan Kabhi Naan did well, not only at the box office but also received
a lot of critical acclaim. But strangely I was never too comfortable,
I never felt I belonged. The bad reviews and press further compounded
my misery. I remember feeling totally demoralised and discriminated
against during the making of the film!! I was put up in a much cheaper
hotel than the rest of the cast, not allowed to have a personal
make up man and hairdresser, asked to pay for my own soft drinks
in the sweltering heat of Goa -- and to top it all, not
allowed to go to the premier of the film in Delhi. That killed my
interest in acting in films.
I did a Kannada movie 'Vishva', just so that I could spend
time with my sisters in Bangalore, because the shooting was done
there. Vishwa was a remake of Ghayal, so I was playing the role
of Meenakshi Sheshadri. I don't know any Kannada, so I would sit
for hours like a kid with school books mugging my dialogue. It was
like studying for exams. Shekar wanted me to play Arab girl in
his latest movie. I could not travel with a 1 1/2 month b aby
to Morocco for the shot. So, Laila Rouss was given the role. I don't
think I can work with Shekar. He gets really angry if anyone answers
him back and I can never shut up.
On Values - What I value most in life are my relationships.
I have few friends but I treasure them. To me life is not about
how much fame and money you have. I take a great deal of pain to
maintain and continue my relationships with family and friends.
I cherish them.
By Anupama Vinayak
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